Sensibilities heightened in an immersive space could increase the level of both emotions and learning.
I want to take my research to the next level and experiment with the possibility of creating a spatial sonification to examine how spatialization could enhance the sensation of physical proximities of sound. I have used sonification as a tool to interpret scientific data and convey its unique patterns in a more visceral way. What is the role of Sonification/Auditory Display in your research?
When I moved to the Bay Area, I started noticing vibrant communities of scientists and musicians who actively take creative action against changing climate conditions, which led me to my next project, “Pattern Play: Interactive Music System for The Environment” in which I created a visceral understanding of climate crisis in the four environmental sector, which includes Global land-ocean temperature, Sea Level change, Antarctic Ice mass variation, and Atmospheric carbon dioxide (CO2) levels during a particular period from 1800 to 2020.
ICAD SERIES
From 2019, I began creating Pattern Play series and presented my first composition, “Pattern Play No.2” at ISSTA 2020: Sonic Practice Now, which reflects the data of the COVID-19 outbreak. I was fascinated by the potential of sonification as a tool to express the urgency of social and political issues. How did you end up working on Sonification and Auditory Displays? I am currently working on a number of different projects, which include a live computer music composition, “The Tree In My Backyard Is Tall And Strong,” a sonification project, “Algorithmic Music Composition for The Environment,” and an experimental film and sound installation, “Walking the Threshold” in which I experiment with a form of expanded cinema and audio spatialization. My research interest is centered on the study of the physicality of sound, sonification, generative music, environmental music, psychoacoustics, which are deeply rooted in my cultural identities, memories, and religion. I am Assistant Professor in the School of Cinema at San Francisco State University, where I teach courses in sound design and production, interactive cinema, and experimental filmmaking. Hello, ICAD Community! My name is Rosa Park.
Winner of the ICAD 2021 Best Use of Sound Award So, who are you?
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